PITCHWORK & R&D
Pitchwork gives a team something concrete to evaluate before a full production exists. These pieces show how I use reference footage, visual storytelling, and compositing to communicate a proposed experience, alongside research that tests how an interaction feels.
01 / VR concept pitch
A visual concept pitch for a VR story about a genetically altered boy with the ability to control machines.
A ripomatic uses reference footage to communicate tone and intent. Sony was the intended pitch audience; this is not presented as a commissioned or shipped Sony project.
02 / Graphics & video editing
Pitch presentation with graphics and video editing by me, using a familiar world to communicate a proposed experience.
Nickelodeon owns the featured characters, artwork, and music. This is pitchwork, not a shipped SpongeBob game credit.
03 / RFP presentation
I composited footage from a team-created RFP demo to present the experience as a coin-operated arcade game.
Video compositing by Julius Carter. Demo footage was created by the team; underlying intellectual property belongs to its owners.
CRYTEK / VR RESEARCH & DEVELOPMENT
I led an Oculus-contracted research program that produced 48 playable, documented locomotion and navigation prototypes. The work combined hypotheses, prototype design, test scenarios, user research, and evidence-based decisions about which ideas to advance.
Comfort, motion sickness, and spatial interaction were central design questions. The output included documentation and presentation material to turn experiments into knowledge the team could use.
Watch the VR locomotion vlog ↗THE NEXT CHAPTER
Director-level game design and product leadership, grounded in systems expertise and multidisciplinary delivery.